Best Picture
Who I wanted to win: 12 Years a Slave
Who I thought would win: 12 Years a Slave (I was right)
Who actually won: 12 Years a Slave
Best Actor in a Leading Role
Who I wanted to win: Chiwetel Ejiofor
Who I thought would win: Chiwetel Ejiofor (I was wrong)
Who actually won: Matthew McConaughey
Best Actress in a Leading Role
Who I wanted to win: Sandra Bullock
Who I thought would win: Cate Blanchett (I was right)
Who actually won: Cate Blanchett
Best Actor in a Supporting Role
Who I wanted to win: Michael Fassbender
Who I thought would win: Michael Fassbender (I was wrong)
Who actually won: Jared Leto
Best Actress in a Supporting Role
Who I wanted to win: Lupita Nyong'o
Who I thought would win: Lupita Nyong'o (I was right)
Who actually won: Lupita Nyong'o
Best Director
Who I wanted to win: Steve McQueen
Who I thought would win: Steve McQueen (I was wrong)
Who actually won: Alfonso Cuaron
Best Adapted Screenplay
Who I wanted to win: 12 Years a Slave
Who I thought would win: 12 Years a Slave (I was right)
Who actually won: 12 Years a Slave
Best Original Screenplay
Who I wanted to win: Her
Who I thought would win: American Hustle (I was wrong, but am happy to be wrong)
Who actually won: Her
Best Documentary
Who I wanted to win: The Act of Killing
Who I thought would win: The Act of Killing (I was wrong -- and shocked)
Who actually won: 20 Feet From Stardom (which I saw and enjoyed, but it was not better than The Act of Killing. Not close)
Tuesday, March 4, 2014
Sunday, February 16, 2014
Top Ten of 2013
My Top Ten of 2013 (in order):
- 12 Years a Slave
- Before Midnight
- The Act of Killing
- Gravity
- Her
- The Wolf of Wall Street
- Enough Said
- Mud
- Captain Phillips (especially the last ten minutes)
- The Spectacular Now
Close Calls:
The Way Way Back
Le Week-end
To the Wonder
A Band Called Death (2013?)
Dallas Buyers Club (for the performances more than anything, Leto in particular)
Short Game
Pacific Rim
Blackfish
Side Effects
Frances Ha
The Heat (funniest movie I saw in 2013)
Upstream Color
American Hustle
Biggest Disappointment:
Drinking Buddies
Still need to see:
Stories We Tell
Let the Fire Burn
The Gatekeepers
All is Lost
The Hunt
Dirty Wars
Cutie and the Boxer
The Square
Le Week-end
To the Wonder
A Band Called Death (2013?)
Dallas Buyers Club (for the performances more than anything, Leto in particular)
Short Game
Pacific Rim
Blackfish
Side Effects
Frances Ha
The Heat (funniest movie I saw in 2013)
Upstream Color
American Hustle
Biggest Disappointment:
Drinking Buddies
Still need to see:
Stories We Tell
Let the Fire Burn
The Gatekeepers
All is Lost
The Hunt
Dirty Wars
Cutie and the Boxer
The Square
Thursday, January 16, 2014
Oscars For 2013 Films
I pretty much think 12 Years a Slave is going to sweep this year. It certainly deserves to.
Best Picture
Who I want to win: 12 Years a Slave
Who I think will win: 12 Years a Slave
Best Actor in a Leading Role
Who I want to win: Chiwetel Ejiofor
Who I think will win: Chiwetel Ejiofor
Best Actress in a Leading Role
Who I want to win: Sandra Bullock
Who I think will win: Cate Blanchett
Best Actor in a Supporting Role
Who I want to win: Michael Fassbender
Who I think will win: Michael Fassbender
Best Actress in a Supporting Role
Who I want to win: Lupita Nyong'o
Who I think will win: Lupita Nyong'o
Best Director
Who I want to win: Steve McQueen
Who I think will win: Steve McQueen
Best Adapted Screenplay
Who I want to win: 12 Years a Slave
Who I think will win: 12 Years a Slave
Best Original Screenplay
Who I want to win: Her
Who I think will win: American Hustle
Best Documentary
Who I want to win: The Act of Killing
Who I think will win: The Act of Killing
Monday, October 21, 2013
Philadelphia Film Festival 2013
Below is a collection of evolving notes on my Philadelphia Film Festival experience this year:
- 12 Years a Slave 4 out of 4
- Nebraska 2.5 out of 4
- Alan Partridge: Alpha Papa 3 out of 4
- About Time 3 out of 4
- Le Week-End 3.5 out of 4
- Short Game 3 out of 4
- The Captain (short film) .5 out of 4
While not part of the Film Festival, I saw these two films last week:
- Gravity 3.5 out of 4
- Enough Said 3 out of 4
Thursday, August 1, 2013
Pacific Rim
Shortly after seeing Guillermo del Toro's blockbuster Pacific Rim, my fiancee and I discovered something about the story that seemed entirely implausible. Then we realized that if we were willing to get on board with the plot in the first place, then we have no right to question the believability of any of its outlandish contents. Bottom line, this movie is a really fun escape - a perfect summer flick that will help you forget that school is less than two weeks away. In terms of giant robots versus giant alien monsters, this one is tough to beat. Del Toro, who directed Pan's Labyrinth and the Hellboy movies, creates a captivating world and does a great job at inviting us to come along for the ride.
The movie starts with an incredibly eye-catching opening fifteen minutes that serve to set up the state of our planet in the not-too-distant future. Charlie Hunnam (yes, the president of SAMCRO) plays a pilot named Raleigh who opens the film with voice-over exposition of what the monsters are and how humans have learned to combat them. The monsters, called Kaiju, come up from a fissure in the sea floor and wreak havoc on our world while the humans have responded by building Jaegers (no, not the Jaeger), which are monumentally large robots that are operated by two people working in concert with one another. The pilots are mentally connected and, while harnessed side-by-side in the stand-up cockpit, work perfectly together to move and manipulate the Jaeger. It reminded me of how people operate a Nintendo Wii - or if you're older, a Nintendo Power Glove. You and your co-pilot are both on the same page enough to know to both punch left at the exact same instant, which, in turn, swings the gigantic arm of the Jaeger you are controlling. Pretty neat.
The whole set-up was really effective. It got me completely invested in the story and made me suspend disbelief enough to just sit back and enjoy the show. If the first fifteen minutes didn't work then the rest of the movie would proceed on a shaky foundation and would probably fall flat. But that didn't happen for me - I was totally into the movie. Del Toro did a fine job at creating tension through much of the action sequences, mostly because he made it very clear early on in the movie that Jaegers can be destroyed somewhat easily by the monsters, so you never know when one of the great machines will die in a battle. Due to this tension, I found myself biting my fingernails through much of this creative science fiction movie. And who says a teacher's summer vacation isn't stressful?!
Thursday, July 25, 2013
The Conjuring
"Yama hama, it's fright night."
- Cosmo Kramer
Sure The Conjuring has plot inconsistencies and unnecessary tangents, but who cares? If you go to a horror movie looking for Oscar-worthy writing, you're never going to be satisfied. This movie is scary, plain and simple. And what I respected most about it was how it literally does nothing to move the genre forward - it contains nothing new or original, yet still manages to stay within itself and scare the bejesus out of you. And the scares are not merely "gotcha" moments, there are some real horrifying scenes that linger far longer than the initial startle.
As a writer, you must possess supreme confidence if you are going to pen a story about exorcism, since that has already been mastered back in 1973. I certainly wouldn't put this up there William Friedkin's masterpiece but it definitely is worth checking out, especially if you're looking for a fun two hours.
I purposely didn't read anything about this movie prior to seeing it. Nor did I even see a trailer or find out anything about the plot. The only thing I knew was from seeing an article about the actual woman played by Vera Farmiga - she said that out of the thousands of cases that she investigated, there is only one that she will never revisit. Kind of brilliant marketing, I'd say. I'm sure she is receiving plenty of residuals.
Wednesday, July 24, 2013
Mud
Finally! I saw Mud. And loved it. From writer/director Jeff Nichols (Take Shelter, Shotgun Stories) comes this textured drama that stars Matthew McConaughey as the title character. Here is the plot summary from the film's studio:
14 year-old Ellis (Tye Sheridan) lives on a makeshift houseboat on the banks of a river in Arkansas with his parents, Mary Lee (Sarah Paulson) and Senior (Ray McKinnon). He sneaks out early one morning to meet his best friend, Neckbone (Jacob Lofland). Neckbone, also 14, lives with his uncle, Galen (Michael Shannon), who makes a hardscrabble living diving for oysters. The two boys set out to an island on the Mississippi River, where Neckbone has discovered an unusual sight - a boat, suspended high in the trees, a remnant of an extreme flood some time in the past. They climb the tree and into the boat only to find fresh bread and fresh footprints. Realizing that they are not the only ones who have discovered the treehouse boat, they decide to leave. When they reach the shore, they find the same footprint in their boat. And that's when they meet Mud (Matthew McConaughey). Mud is a gritty, superstitious character; his clothes are dirty, his tooth is cracked, and he needs help. He tells the boys he will give them the treehouse boat, his current hideout, in exchange for food. Neckbone is reluctant, but Ellis brings food to Mud, and they develop a tentative friendship. Ellis learns that Mud has killed a man in Texas, and police and bounty hunters are looking for him, but Mud is more concerned about reuniting with his longtime love, Juniper (Reese Witherspoon). Ellis, who has recently developed his own crush, agrees to help Mud escape with Juniper. Ellis and Neckbone carry out bold schemes in an effort to protect Mud and relay messages to Juniper, who is holed up in a fleabag motel, under constant surveillance by Carver (Paul Sparks), a Texas bounty hunter. Carver and his gang are intent on capturing Mud, on orders from the cold-blooded King (Joe Don Baker). As the boys risk everything to reunite these seeming mythical lovers, Ellis's own ideas about love and romance are challenged by the strains in the relationships closest to him: his parents' marriage is dissolving while he himself falters in his efforts to impress May Pearl (Bonnie Sturdivant). Through it all, Ellis struggles to look for an example of love that he can believe in, learning about the unspoken rules and risks of love and the reality of heartbreak.
I've been meaning to see this movie for several months now and finally caught up with it last night as its theatrical run nears the end. While I've heard plenty of sky-high praise for the film, I purposely never dug too deep into what the movie was about. I don't even recall seeing a trailer for it, which contributed to the film's mystery to me. After 2011's Take Shelter blew me away a few years ago, I would pretty much go see anything that Jeff Nichols was a part of. And Mud didn't disappoint. I found McConaughey's performance to be fantastic. He captured the subtleties of a fractured and confused man quite well, while still giving us the obligatory shirtless scene. In fact, his shirt plays an interesting role throughout the movie. McConaughey has been on a nice little run the past 24 months, with Killer Joe, The Paperboy, Bernie, Magic Mike and Mud. Turns out, he is a pretty good actor. For years, he has been dumbing it down with romantic comedies and other crap, but what a difference a few years makes. It has been quite a resurgence.
Tye Sheridan is good-beyond-words as Ellis, the boy who helps Mud reunite with the love of his life. What struck me most about the two boys in the film were how honest their characters were. If an adult asked them a question, they told them the truth. Kids have a refreshing way about them in this regard, and Nichols nails it with his script.
Mud is about a teenager's attempt to discover the meaning of true love. Ellis' parents are divorcing, his girlfriend betrays him, his best friend's uncle is a womanizer yet he still wants desperately to believe that love is possible. I really enjoyed the varied layers of how the theme was driven home. Even though the story has a lot of fantasy elements, it struck me as a very realistic portrayal of how a 14-year old boy views the complex relationship between men and women. Ellis needs to believe that love is real.
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